According to Wikipedia, Onli is a rare Artist who has created two visual art genres.

According to Wikipedia, Onli is a rare Artist who has created two visual art genres.
All artwork on this blog is Copyright 2024 Turtel Onli , and other dates. All Rights Protected & not to be remixed, rebooted or used commercially without a signed agreement with Prof. Onli. The smaller images on the right are links to reels or related websites.

Wednesday, September 30, 2020

 Sept. 30th 2020


"Its a genre!"

I mentioned in a conversation the other day how long it took for me to reach the post-experiemental phase of my hypothesis about Rhythmism reaching the level of being a genre in the visual art world. The person I was talking to immediately started talking about an Artist who at 80 years of age had finally gotten their first major exhibition.  Then came the statement, "I hope it doesn't take you that long for a major show"!

First of all I have had a host of major solo exhibitions as referenced and evidenced on this blog.  Secondly I am almost 69 years of age.  I plan to be doing major works thus exhibitions for a long time still.

But this shows how that person, who has known me since 1994 and attended exhibitions of mine, could not address or stay with my point.  The fact that i did it. I already delivered the goods.  That Rhythmism has reached the level of being a genre.  Ripe for exploration and of course exploitation.   Funny how it is a challenge for folks to stay with that point whenever I bring it up. 

Rather it was in 1970 or in 2020.....there is still that strange short-circuiting and code-shifting that seems to minimize or filter out the issue presented. 

 (No one ever askes...."What is it like to do that?, or, "How do you stay the course?")

That I was, am or will be doing this artistic thing I named "Rhythmism".  And that it was and will always be bigger than me. It is about a way of doing Art.  Thinking Art. Flowing Art.  Better I get action than insist on folks staying in a conversation they are not into.

Artistic innovators are in our midst.  They too...live among us. They often look like us! Yes....you may even encounter one.


Rhythmism Lives!

Tuesday, September 29, 2020


September 29 2020

"A Curator This Way Visited"



Yesterday I hosted a planned visit from a brilliant, enlightened, well traveled and practiced Curator, based in Brooklyn New York. His name is Dan Nadel. 

He is planning details and collecting resources for a major group exhibition next Spring at the Museum of Contemporary Art in Chicago.  The theme of that coming showcase is " Chicago Cartoonists & Comix".  He is looking to include some of my work in that exhibition. I needed him to see that my work and its practice does more than "comix".  Fortunately he felt that same inner need.  We spent two and a halve hours between my Residency at the Hyde Park Art Center and then my work-live space looking over my practice from 1970 until right now.



He made this such a pleasant and powerful ride. His insights were so raw and well connected to the overarching experience he carries in his tool kit.  Publishing. Art making. Education. Curiosity. Openness. Criterion and standards based evaluation. With some of his own inner intellectual glue to get it right.  Plus wanting to make this coming show as good as its concept.  I have never met a curator like this or been able to flow over the multiple horizons of my practice in a single session with a person that flowed with it.  Not agreed.....but actually flowed!

Now I really gots work to do....in these coming two months.

 

Monday, September 28, 2020


Sept. 28th, 2020

"The Albritton"



I started drawing seriously when I was three years old.  The very first time I held a pencil.  By Kindergarten I identified myself as an "Artist".  Folks from teachers to friends....even family would make light of this.  I hated those who did.  I felt a sense of pity for their being rude or stupid.  Starting the first day of Kindergarten, if provoked, I would draw intensely aggressive yet sophisticated images to assert that " I am an Artist".  OK....I still do! 

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In third grade I met a kid named Albritton.  Wow! He totally got it.  I got him.  He was so smart and we both shared a ridiculous love of science, art, music, and learning.  Wow!  This was precious to me beyond our years and other factors.  Like kindred on steroids.  In the class-photo above I am in the top row wearing a bow-tie.  Yes...a ever-cool fashionable bow tie.  He......, Albritton is to the left of me.

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We were in the same class together from 4th Grade until 6th grade.  Due to my family members being ranking leadership of the most dominate Black street gang in Chicago at that time, we, I, the family abruptly had to sell off property and move outta the 'hood.  I never even got to say good-bye to Albritton.  Never,  

For decades to come I would often wonder....."What happened to Albritton?"  Well....at the start of this Residency, via Facebook,,,,,,we reconnected.  It revealed to me a core that I had sealed away since 1963 when I moved and never saw him again.  An energy core secretly sealed away by that little boy I was.  The one who was secretly being programmed to be the next wave of leadership in that gang. I never let Albritton visit for fear my home-life would ruin it all. But there I was.  The one who looked at the world saying I am an Artist .......with a balanced child's love of science.  With  Albritton as a simpatico friend!  Lucky me. Lucky us!

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 I had to keep him and this to be recovered Creative Core at bay until I completed the Kokopellis.  This energy is the stuff made of the purity that exists in early childhood long before the ravages of puberty and rules set in.  Before Life steps in with its bigger than Bigfoot's footprint!

This is not about returning to being that kid again.  Nope.  But about opening a type of creative time capsule that kid hurled, through what I call the Rhythmic Zone, as a boomerang in Albritton. Catch!  Open! Explode! Create anew! Grow! Yikes!

This restraint took as much strength as doing all of the Kokopellis in just under three months.

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Albritton said "You used to teach us perspective, design and how to draw Jet Planes!" The next phase of this residency will be about that Core.  The thing that for now...I call The Albritton.  As for that question, of what ever happened to Albritton.  Well the answer is that Albritton happened!  

He is an amazing prolific musical composer and had been a deeply dedicated performer and much more.


Yes....there will be Jet Planes!
 

Sunday, September 27, 2020

September 27th, 2020

Goals met!

When I was awarded this Flex Summer 2020 Residency at the Hyde Park Art Center, December 2019, I was excited and challenged.  

The honor was overwhelming.  Then came the flood of ideas.....potential and channeling.  I determined  my focus.  To complete four textile based panels.  Each representing one of the Expressive Arts.  Performing. Music, Literature, and Visual. 

Each panel becoming a re-contexualization of the First Nation's People's iconic character, the Kokopelli.  These completed textile works will find their way to extended the growing body of work, "Rhythmistic Quilts" that is a larger more ambitious collection of quilts that are via a collaborative, co-contribution and division of labor based process. 
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Left: Onli with a Rhythmistic Quilt completed by Patrick Whalen. 

Right: Patrick hanging a yet to be completed panel at the Box Factory For the Arts, in exhibition, Summer 2019, St. Joseph Michigan. Courtesy of Susan Craw and Nikki Guitier.


This process has had tangible input since 1988 from various creative practioners.  It started with my re-contextualizing selected African icons in a future-primitf...Rhythmistic context in 1988.  It hit a serious stop when most of them were destroyed and damaged in a devastating studio-live-space fire in 2001. 

I was surprisingly inspired to return to this body of work in 2017 when I met the master quilter Patrick Whalen in Michigan City at the Quilters Apocathecary'.  In Patrick I sensed his ability to feel and embrace the art then contribute to it.  I learned from him.....to let it flow means to let it go.  So I trun them over to him.....and await the enhnacements per his contributions.  WOW!  Lucky me.....and of great benefit to this body of RHythmistc works.


Patrick's studio prepped in full  Rhythmistic effect:

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The goal was to be sure to to set up the space to produce these four large 50 inch by 40 inch cotton panels.  As of September 26th 2020 That goal is met.  Plus these are the first set of panels I have created with aspects of Patrick's vibrations flowing within the process.

I was to leave on Oct. 2nd per the original agreement. However I was granted a generous extension to this Residency until Nov. 30th 2020.  Two whole additional months!  WOW.  Now to plan to make the best Rhythmistic use of that resource.  What a great place this HPAC!  Allison & Kate...you rock!. 


"Kokoperfomance"

"Kokomusik"


"Kokoliterature"


"Kokoart"

Please note that each panel and all of my creative images posted anywhere on this blog at Copyright 2020 Turtel Onli.  They are not to be reposted or used in any commercial application without a written agreement form Turtel Onli.  

As much as we love the Arts we are a business and Onli is a professional.




Question:  Did you notice that three of the Kokopellis were making a political statement?

"I am in luv!"
 

Saturday, September 26, 2020

 Sept. 26th 2020


I say to overcome viciousness is to go forward in a state of victoria! Not to be angry!


The late, great basketball coach and philosopher, John Wooden of U.C.L.A. acclaim, once said, "Adversity is when a man becomes acquainted  with himself!"  Based on that i really know me.

I have included some real and very truthful but  challenging stories in this blog.  I limited names and such to try to focus more on showing that I was not the benefit of some form of trust fund, favoritism, political preferences, of just being well liked.  

At every level of my working to grow all things Rhythmistic there were not just the usual barriers to processes, but an array of speed-bumps, insults, back-stabs threats and sabotage. I even overcame massive losses from a devastating live-work space fire.

No, I didn't talk or share any information about this type of thing that often in my 50 years of taking those hits during that extended phase of Rhythmistic experimentation.  Nor did I do this life-long artistic work to be the target of those hits.  It is important to know that this is what happens to most gifted innovators  For instance, I strongly hold the position that acts intended to limit or deny a person their livelihood or respectful appreciation...... are acts of violence. I also do not promote or celebrate those assailants. I kept and continue to do the work.  The good work.  The amazing work.

Two intelligent and curious visitors to my "Rhythmistic Residency" at the Hyde Park Art Center.


All I wanted to do was make art and grow this concept of Rhythmism to its most logical conclusions.

Boy!!!! Was I in for surprises and let downs along the way.


This type of reluctant sharing on my part is not to turn one off but to open a greater potential awareness of the application of greatness it took to to affirm Rhythmism

 Nor do I offer them teflon or any blame the victim excuses.  I measure them and most folks, by the same criterions that where and are served upon me, my path, my gift, my race, my gender, my sexuality and my smarts.  Inches, actions, degree of difficulty should be metrics that apply in the same way to everybody.  Not issued though the fog of social likes or appeals.  Limited by one's being soft or frail.

That would be a fair metric.  Not the usual one if one likes it its great, contrasted by, if one dislikes you, you suck.  

When I tell folks about a few speed-bumps  imposed on my path it is not to try to trigger sadness or  sympathy nor serve notice to elevate the value of repression.  But to demonstrate that to experience that forms of viciousness on any level is not cool.  Its vicious! That being my term for a violation.  Insults, cheap shots, actions designed to ruin ones earning or such are , to me, acts of violence.  Again its viciousness.  To score any type of victory in the face of that then is to leave or go forward as the victor in that transaction. 

 Therefore arriving in a state of victoria.

Those who decide to limit this revealing content to my being a poor unfortunate victim will miss the point. The same with the the cosmic disassociation of asserting , "You picked this life for its hardships as a way to recover from things you experienced in your past life." Some may become saddened or escape into disbelief  often to so to limit a more accurate appraisal of what it takes to achieve real excellence given those speed-bumps.  Artists such as Picasso, Dali and even Van Gogth wrote and spoke about the pain of being an artist.  Art history is full of this stereotypical lust of the suffering genius artist.  These narratives tend to but the burden of source of that episodic pain on the artist.

  They end up missing the point again!

In my world..... most of the times I got a moment to do something important  and did something positive per this experiment....doors were closed to me as a result.  No momentum and often marginalized. The Japanese have a saying:  "The nail that stands out gets hammered down!"  
What this entry is saying is that the greater the need for resiliency the greater value is added to the accomplishment.

Rhythmism Lives!


Friday, September 25, 2020

  Sept. 25th, 2020



For folks who never really appreciated my work to raise Rhythmism from the narrowness of "my style" to the level of being a genre or as "ism", this Residency affords them the opportunity for just that.  Appreciation in better than tolerance.   Rhythmism was applied in commercial and fine art.  Functional art and narrative art.  Wearable Art, Art Education along with Art Therapy.  All  with varying degrees of impact, success and potential.  All done by my taking the hit!  Yes, "the hit"!.  No one likes an innovator.  Most do not like a Black male that is talented. intelligent and well educated.  Not to mention I had zero family supports.  Yet I insisted that Rhythmism existed therefore I persisted.



There were commercial illustrations that I lost due to my insistence to using Rhythmism.  There were others I got for using subtle aspects of Rhythmism. Like with Playboy's OUI Magazine or MODE Avante Garde. This was the give and take all along the way.  Then the flow of artistic peers who seemed to resent or be jealous that I was on that path in terms of my practice.  Along with an art establishment that insures intelligent Black males, who Identify as "Black" not "Post Black", not "African-American" and very heterosexual will be aggressively marginalized or ignored.  

"Venuses" Circa 1977 

Drawn in Paris in part to secure freelance illustration work. I was there in part because various Art Directors at advertising agencies used to claim my Rhythmistic illustrations were too Euro for them.  Therefore I thought I should go to Europe to explore my options.  Well....win some lose some.  I found the same blockage there.  The dilemma was there was the dynamic appeal of my work....then the total turn-off that I was me. This confident capable Black male.  And sexually not available. I was all professional. All business. They really needed an enema. They would either rip me off or short circuit.  But I did prove the merits of Rhythmism!

While I was in Paris I sent my samples, ( the above Venuses ) to a major art dealer in Chicago who was handling the Imagists to great financial success at that time.  She wrote back her positive enthusiasm to learn of the work that moved beyond the levels of those artists and insisted I see her as soon as I return to Chicago.  That was 1978,  There was no internet.  Therefore she had no way of knowing I was Black. 

 When made my appointment and walked into her gallery....she screeched, "Who are you?". I stated I was Turtel and that we had an appointment.  She loudly screamed I was a fraud.  That no way could I have been the artist behind that work.  Then she turned and walked away into an office.  When I tried to follow her to try to clam her jets a bit, two of her assistants stepped up to block my path.  One looked me up and down...then he said, "Well if you were gay maybe you would get a play"!  

Conclusion being my being Black & Heterosexual was a no go!  I never got gallery representation or such.  Thank God for Not For Profit galleries and such.

Fortunately this has never been my experience at the Hyde Park Art Center since Allison and later Kate,  arrived and they reopened in the current location in 2006. Their level of openness and appreciation is rare to almost unique in the art world.  I know. I have made the rounds in New York, Paris, and a few other places.  The same in various genres. Meaning commercial art. Art Education. Art Therapy.  That type of exclusion and ever present resistance was always too common of a factor.  However there was something called the American Dream and the Protestant Work Ethic!  The process of pulling oneself up by ones bootstraps. Staying out of trouble.  Working hard...and I added working smart. Yup! My Black ass went Yankee Know-How on them! Often smarter than all of them combined.  Proof being this, my Rhythmistic Residency, Summer/Fall 2020 HPAC.  I proved my hypothesis. A genre can be created and named by the innovative artist that was willing to take the hit to do so.  It is documented.  Rhythmism Lives!

Wednesday, September 23, 2020

Sept.23rd, 2020

"Kokoperforming Arts": Copyright 2020 Turtel Onli

 Almost finished.

 50 inches by 40 inches on unprimed / unstretched cotton:



This panel is almost complete. I have to keep in mind that it will later be enhanced via quilting on the part of Patrick Whalen at some point.  That will bring to to really be finished.  However the dynamics and composition are in full effect. 

 It represents the performing arts of stage and theatre. My technique is on par with the concepts presented.  Opposing masks of Humor in Future-Primitif and Tragedy by way of Kabuki-s tradition with the dancing Kokopelli from the Native American west's First Nation's People.

Lighting and depth along with flat-patterning coalesce to showcase contrasting applications with a tactful hint of virtuosity. My works tend to not be trendy yet of the moment today and tomorrow and on going.  The composition uses asymmetric informal balance with intuitive aspects.

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All art on this entire blog is Copyright 2020 Turtel Onli and other copyright registration dates.  It is posted  here for educational and neo-journalistic purposes and not to be copied, commodified, or reposted without written permission from Turtel Onli.
 

Monday, September 21, 2020

 Sept. 21st 2020 


 "Rhythmistic Residency" at the Hyde Park Art Center in Chicago:

 Original Vision: Complete the Kokopellis by Oct. 2nd 2020"


Planning a more pure approach this week.  One of clarity in thought, concept and execution.  All designed to complete the Four Kokopellis that symbolize the Four Expressive Arts of Visual Art, Performing Art, Literature and Music. 

 Each panel is painted on 100% cotton unprimed. Each is 50 inches by 40 inches.  Next they will be enhanced via the quilting mastery of Patrick Whalen.  Then take their place in the growing "Rhythmistic Quilts" Collection that re-contextualizes selected world icons into a future-primitif nexus.

Intelligent curators, serious collectors are encouraged to discover the power of affirmed Rhythmism.

Visual Art


Performing Art


Literature


Music

Smart studio visitors welcomed:

When working with established world class standards while being a Black, heterosexual, vintage manI have had to embrace for the resistance and often attacks from the isms of Racism, Agism, Heterophobia Classism and such.  

My art is not trendy nor is it based on mediocre techniques accompanied with high levels of discourse. 

In the past I never would publicly offer that insight.  But in this era, no longer experimental, I am open to express that great truth.  So you never heard about Rhythmism?  Well....its better than most other isms in that it was concieved by an artist for a wide range of artistic applications.

 Proven in plain sight over five decades.  Not named....an given value......like a step-child, by connected critics or curators.  Who now think their denials of Rhythmism turns it into the tree that falls in the forest...that no one hears...thus is rendered silent.  Rhythmism lives!

Sunday, September 20, 2020

Sept. 20th 2020:

Long ago I expanded the  "Black Art Movement" beyond the notion of simply being art that tells a story about neglected moments in Black American History or art done by Blacks.  That and this narrative tribute to oppression and suffering.  I exploded the idea of Black Thought. Ideation.  Intelligence in the visual domain.  

I named it Rhythmism.  That was in the early 1970s. I was not yet 20. Not yet in Art School.

 As the term genius is often applied to artists such as Dali, Picasso and Van Gogh....my mission was to rise to that level of 'genius".  Based on the set of criterions established by the mainstream, I set out on this path in 1970. No I never asked for permission!  If I had...just who would I have asked?

 Here in this much appreciated and generous Flex Residency at the Hyde Park Art Center, I made the critical pivot away from being experimental.  Where I had suffered ever-present barrage of the isms of Racism. Ageism.  Genderism and Heterophobia.   I persisted in testing the attributes of Rhythmism with often hostile oversight.  Rather it was instructors at the School of the Art Institute who insisted those efforts was beneath my talent followed by calling me a fraud and declaring it and I did not belong at the school.  Well?  I earned two degrees there. I did it the "American way".  Boot-straps pulled up.  Using my own money and Black- Yankee-Know-How.  Blue collar work ethic all the way.  Those punks got my pity and distancing.

Took all lickin's and came out kickin"!



I explored and tested  Rhythmism as a major market illustrator with clients such as Playboy, Holt, Rinehart & Winston plus the Paris Metro, The Rolling Stones and MODE Avante Garde.  All with intense oversight.  I knew the power and promise of Rhythmism in my studio.....but the real test was with clients.  In situations not of my control of creation.  Places where most dared not go.

Non-believers and curious righteous folks are encouraged to Wiki or Google my name.  Turtel Onli for more mainstreamed confirmation of this artistic epic.

Now with a two mother extension....Summer / Fall 2020.  I will do the elusive $100.00 T-Shirt.  Dynamic Egg Dishes and more.  While completing panels for my growing future-primitif "Rhythmistic Quilts" Collection. 

 This is not for the mediocre taste of art!



Now I declare the experiment a success! It has influenced many.  It predates the trend called Afrofuture.  It destroys our good friend Post-Black.  There is no force like an idea whose time has come.  A practice too Black and too brilliant to fit into the slots in galleries and museums so far. 

They have often said to me.....with great intensity,  "How dare you....a mere artist name a genre?  That is for us to do. Dali, Picasso and Van Gogh didn't name a genre and you are none of them!!" 

 That is exactly my point. I am not of them!

 I trust they will be the ready because this truth is upon them too

Rhythmism Lives!


A welcomed inspiring visit from a HPAC  resident artist, Zakkiyyah Najeebah is a Chicago-based visual artist, educator, and independent curator. 



 ONLI STUDIOS welcomes you too!

Friday, September 18, 2020



"I Dream of Jimi" Produced by Turtel Onli for ONLI STUDIOS LLC in 1995 as a tribute to the late great future-primitif innovative musician, Jimi Hendrix.  Reposted here as today, Sept. 18, 2020 is the date, 50 year ago when he died after being mishandled by paramedics after he took sleeping pills to cope with jet lag. 

Friday, September 11, 2020

Sept. 11th, 2020

 "Danse of the 911 Phoenix":


Created 9-12 that year the day after those events in NY and DC. I was part of a planed promotion in Saugatuck Michigan at the now defunct Divine Alchemy Art Gallery. We were to set up in the galley and on its grounds. Making art as folks went by. BAM! 9-11 rocks. So I decided to do a "No Evils" treatment where I use baldness to symbolize purity and a lack of vanity, in this visual art Rhythmistic statement about the incident.


 Later I modified it to give it a more masterful nature. It is acrylics on canvas. 40"H X 30"W. Waiting for the intelligent collector who appreciates narrative fine art. That was a different time.

So are these.  Now back to the Rhythmistic Residency.

Wednesday, September 9, 2020

 Sept.9th, 2020

All is well.  The flow and process of getting to my set Goals & Objectives should be realized on schedule.  Quality is relative to concept as I only have to be as good and the demands of the Rhythmisitc Art being produced. July 7th until Oct. 2nd.  Time is on my side.  Time nor tides wait for no one.  Things always take more time than we think!  No wine before its time.


 What time is it?  It's Rhythmistic time!


The Setting Sun of the Residency met the Rising Star of my return to teaching Art Appreciation this month. Their nexus was inspiring!  Good for me. Great for my remote learning students at the downtown Chicago Harold Washington College.


Drawing drafts that are late the foundation for the application of the pigments...brushed and air-brushed blends into a sort of art on textiles that will later be quilted.  The quilting process changes everything.  No more flat surface.  No more static.  More of a transition in impact. Enhanced. Plus it surprises me.


The emergence and return to wearable art via the Rhythmistic one of a kind awesome T shirts gives the editions actuality.  Each one is a composed flow based work of art. Each will eventually be worn and seen. Appreciated and worn until it returns to Mother Nature.  Having given itself over to the cause that now affirms all this Rhythmistic.


I am satisfied so far in all things related to this brief potent Summer 2020 Flex Residency.


The quite sustained  undercurrent of my practice, testing and growing Rhythmism into a visual arts genre went form emergent artist, mid-career artist to now vintage master artist genius level.  How many Visual Artist actually ever named a genre?  Hmm? Not many.  Usually that comes form criticism and historians.  Or marketeers.  

Bold I was. Boldly I go.  Rhythmism Lives!