Friday, August 9, 2019

 During this talk Onli went over core aspects of his life long artistic practice and how it stems from the hard wired impulse of humans to exaggerate when creating images of humanity.

He reviewed how he discovered this trait about himself in elementary school and nurtured it over his 50 plus years of being a professional/career artist.

His term "Rhythmism" addresses how the past.present/& future are always about and within the intuitive and imaginative flow of most artistic practices.  More than a is the root of his practice.

 The Box Factory For the Arts knows how to promote the Arts as a vital part of community life.
 Onli showing the Rhythmistic treatments he and quilter Patrick Whalen gave this traditional Teke masque icon.
 During his presentation Onli went into his professor model and opened with the BBC DVD insightful feature "More Human Than Human".
 Onli's fine art works tend to be produced on themes. Collections such as the Watermelon or No Evils typify this practice.
 From personal books to major Rhythmistic fine art....a life long practice yields a great deal to appreciate.
 The press is often open to Onli's works. The greater challenge is having his works included in museum collections, corporate collections and collections of serious fine art collectors. The trends and times are catching up to Onlis decades long practice as curators and art directors are becoming more accepting of his future-primitif distinctions.
A major female art collector on a studios visit questioned how Onli could depict women as natural positive powerful goddesses, not simple sex objects,..... though he is a practicing, openly heterosexual male.  She went onto say that had he been a woman of even Gay she would have purchased his artwork.  

Onli thanked her for her candor and felt she spoke the logic that so many others operate with when they have such a dysfunctional response to him as the artist behind these impressive art works.  She also added that she was impressed at how his art was legit, skilled, expressive with substance not fluff, and real.  But she still was not willing to buy from him.  

Hmmmm! Her lost.  More enlightened collectors, curators and dealers are out there.

Wednesday, May 15, 2019

Prof. Onli  is currently preparing selected Rhythmistic Visual Fine Art for a major exhibition Summer of 2019 at the Box Factory For the Arts in upscale St. Joseph, Michigan-USA.

Series 5 Art Exhibition Opening ReceptionFeaturing the artwork of Susan Teague, Erica Roberts, Turtel Onli, Marcy Mitchell and Jennifer Zona
5:30 pm - 7:30 pm
 The Box Factory for the Arts1101 Broad Street, Saint Joseph, MI 49085
The Rhythmistic Smorgasbord":

This showcase will give intelligent curators and collectors the unique opportunity to experience varies pathways in Onli's decades long dynamic Rhythmistic practice as he is now on the threshold of his Vintage Phase.  Onli grew up during the last era of Great American Illustrators. 

 He wanted to be one and during his early 20s he illustrated for the likes of Playboy,  WGN, Delmark Record"s, National PTA Magazine, The Singer Society For Visual Education and other clients. 

Working from the outside in!

 He was shocked when he finally was accepted to the prestigious School of the Art Institute of Chicago to discover their entire studio curriculum was absolutely into "Conceptual Art" and devalued the robust American legacy of figurative painting along with its lavish commercial illustration  applications.  However he remained true to his ambitions to express himself using the narrative aspects based on the human face or body with his future-primitive flavor. 

He may use photographs or live models as references but tends to modify them away from their original state to arrive at a more distinct, less sterile impact, not limited by simply copying  the references to a common or boringly flat "Paint-By-Numbers" result or marred by the dedicated  use of opaque projectors. 

The Oustider looking In!

 Onli did go on to earn a BFA in Art Education and a M.A.A.T. in Art Therapy from the School of the Art Institute of Chicago. Both practices and degrees lead to a long career as an Arts Educator and clinical-community based Art Therapist.  Except for a few years in the 1980s, when Onli was with the Younger Gallery in Chicago, and in 2001 with the Divine Gallery in Saugatuck,  he has not been represented by galleries, curators or art representatives. This created a sort of outside the mainstream presence in Onli's practice. This on balance with his works being presented in alternative spaces, not for profit galleries and museums,

 Onli has maintained a nexus of fine-art esthetics and commercial applications fueled by his experimental undercurrent of narrative future-primitive stylizations that he long ago referred to as "Rhythismtic" which is expressed in bodies or collections of work centered around a unifying theme. Concepts such as the metaphysical, the health giving watermelon, the morality of the "No Evils" proverb are a few.

Theme 1: “Outsider In”
“All hail the outspoken, the outrĂ© and the odd,” the report declares, somewhat breathlessly. “As we become ever more inundated with mass-replicated imagery and aggregated articles, our appetite for unique messengers and standout visuals increases with each and every share… consumers are rejecting anything that has even the slightest whiff of Goliath… We’ve entered a new Age of the Strange.”

Current world events are causing hesitation in spending–buying patterns show some caution, but not when it comes to the arts.

Most art market report and agree that current uncertainty in politics and economics is affecting high-end spending. People are turning to experts and data to guide their decisions, and statistics show a shift from buying art from auctions to art dealers.

Recently art dealers are closing 63% of art sales, while auction houses experienced a 19% decline in sales in 2017. Trust, transparency, and discretion are key factors that collectors seek in a dealer’s reputation.

Overall, the outlook for the global art market is increasingly positive with an 18% increase in a positive outlook combined with an 8% decrease in negative opinions.

Mid-market prices between $10,000 and $50,000 see an uptick, while artworks over $1 million see a pullback.

Meanwhile, because of changing spending patterns, galleries are reserving high-dollar art pieces in their stock to avoid flooding the market and driving prices down. Buyers are feeling more confident with mid-market prices, and with this rise in optimism, collectors are purchasing more emerging, though riskier, artists.

Monday, May 6, 2019

CHICAGO- Rhythmistic visual artist, Turtel Onli, is preparing selected art from his various collections to be in his coming retrospective-type exhibition this Summer in the Series Five Exhibition Program of the Box Factory For the Arts in St. Joseph Michigan.  Onli is known for his Rhythmistic narrative paintings and drawings that he produces around a unifying theme resulting in a compelling body of work.  With the Series Five program he is expected to present for curators, smart collectors and art lovers samples from several of these collections.  Onli coined the term Rhythmism in the early 1970s to explain his future-primitive practice.  Series Five, including artists Susan Teague, Erica Roberts, Lauren Stienhofer & Jennifer Zona, will showcase their art throughout the Box Factory For The Arts.

Wednesday, April 24, 2019

Box Factory For the Arts 
in St. Joeseph Michigan, USA

Rhythmistic visual fine art by Prof. Turtel Onli will be featured in the annual  prestigious Series Five artists' exhibition at the Box Factory For the Arts in St. Joseph Michigan July 19th until Aug. 24th, 2019. Onli will be presenting a rare insightful sampling of important  Rhythmistic works created since 1999. Including watercolors, textiles, oils , acrylics and selected drawings.

Curators, collectors, and educators will especially appreciate experiencing Onli's varied Rhythmistic treatments of media,  concepts and humanity in a future-primitive narrative context.

Exhibition Link

Monday, October 8, 2018

Work in progress:  This will be part of a 4 ft square panel set 
of four for the evolving "Rhythmistic Quilts" collection exhibition.