Friday, August 9, 2019
He reviewed how he discovered this trait about himself in elementary school and nurtured it over his 50 plus years of being a professional/career artist.
His term "Rhythmism" addresses how the past.present/& future are always about and within the intuitive and imaginative flow of most artistic practices. More than a style.....it is the root of his practice.
Onli thanked her for her candor and felt she spoke the logic that so many others operate with when they have such a dysfunctional response to him as the artist behind these impressive art works. She also added that she was impressed at how his art was legit, skilled, expressive with substance not fluff, and real. But she still was not willing to buy from him.
Hmmmm! Her lost. More enlightened collectors, curators and dealers are out there.
Wednesday, May 15, 2019
Prof. Onli is currently preparing selected Rhythmistic Visual Fine Art for a major exhibition Summer of 2019 at the Box Factory For the Arts in upscale St. Joseph, Michigan-USA.
5:30 pm - 7:30 pmThe Box Factory for the Arts, 1101 Broad Street, Saint Joseph, MI 49085
The Rhythmistic Smorgasbord":
This showcase will give intelligent curators and collectors the unique opportunity to experience varies pathways in Onli's decades long dynamic Rhythmistic practice as he is now on the threshold of his Vintage Phase. Onli grew up during the last era of Great American Illustrators.
He wanted to be one and during his early 20s he illustrated for the likes of Playboy, WGN, Delmark Record"s, National PTA Magazine, The Singer Society For Visual Education and other clients.
Working from the outside in!
He was shocked when he finally was accepted to the prestigious School of the Art Institute of Chicago to discover their entire studio curriculum was absolutely into "Conceptual Art" and devalued the robust American legacy of figurative painting along with its lavish commercial illustration applications. However he remained true to his ambitions to express himself using the narrative aspects based on the human face or body with his future-primitive flavor.
He may use photographs or live models as references but tends to modify them away from their original state to arrive at a more distinct, less sterile impact, not limited by simply copying the references to a common or boringly flat "Paint-By-Numbers" result or marred by the dedicated use of opaque projectors.
The Oustider looking In!
Onli did go on to earn a BFA in Art Education and a M.A.A.T. in Art Therapy from the School of the Art Institute of Chicago. Both practices and degrees lead to a long career as an Arts Educator and clinical-community based Art Therapist. Except for a few years in the 1980s, when Onli was with the Younger Gallery in Chicago, and in 2001 with the Divine Gallery in Saugatuck, he has not been represented by galleries, curators or art representatives. This created a sort of outside the mainstream presence in Onli's practice. This on balance with his works being presented in alternative spaces, not for profit galleries and museums,
Onli has maintained a nexus of fine-art esthetics and commercial applications fueled by his experimental undercurrent of narrative future-primitive stylizations that he long ago referred to as "Rhythismtic" which is expressed in bodies or collections of work centered around a unifying theme. Concepts such as the metaphysical, the health giving watermelon, the morality of the "No Evils" proverb are a few.
Theme 1: “Outsider In”
“All hail the outspoken, the outré and the odd,” the report declares,
somewhat breathlessly. “As we become ever more inundated with
mass-replicated imagery and aggregated articles, our appetite for unique
messengers and standout visuals increases with each and every share…
consumers are rejecting anything that has even the slightest whiff of
Goliath… We’ve entered a new Age of the Strange.”
Current world events are causing hesitation in spending–buying patterns show some caution, but not when it comes to the arts.
Most art market report and agree that current uncertainty in politics and economics is affecting high-end spending. People are turning to experts and data to guide their decisions, and statistics show a shift from buying art from auctions to art dealers.
Recently art dealers are closing 63% of art sales, while auction houses experienced a 19% decline in sales in 2017. Trust, transparency, and discretion are key factors that collectors seek in a dealer’s reputation.
Overall, the outlook for the global art market is increasingly positive with an 18% increase in a positive outlook combined with an 8% decrease in negative opinions.
Mid-market prices between $10,000 and $50,000 see an uptick, while artworks over $1 million see a pullback.
Meanwhile, because of changing spending patterns, galleries are reserving high-dollar art pieces in their stock to avoid flooding the market and driving prices down. Buyers are feeling more confident with mid-market prices, and with this rise in optimism, collectors are purchasing more emerging, though riskier, artists.
Monday, May 6, 2019
Wednesday, April 24, 2019
EXHIBITION NOTICE: Summer 2019
Box Factory For the Arts
in St. Joeseph Michigan, USA
Curators, collectors, and educators will especially appreciate experiencing Onli's varied Rhythmistic treatments of media, concepts and humanity in a future-primitive narrative context.